TC
Auto Added by WPeMatico
Auto Added by WPeMatico
With the Pixel 2, Google introduced one of the best smartphone cameras ever made. It’s fitting, then, that the Pixel 3 builds on an already pretty perfect camera, adding some bells and whistles sure to please mobile photographers rather than messing with a good thing. On paper, the Pixel 3’s camera doesn’t look much different than its recent forebear. But, because we’re talking about Google, software is where the device will really shine. We’ll go over everything that’s new.
Starting with specs, both the Pixel 3 and the Pixel 3 XL will sport a 12.2MP rear camera with an f/1.8 aperture and an 8MP dual front camera capable of both normal field of view and ultra-wide angle shots. The rear video camera captures 1080p video at 30, 60 or 120 fps, while the front-facing video camera is capable of capturing 1080p video at 30fps. Google did not add a second rear-facing camera, deeming it “unnecessary,” given what the company can do with machine learning alone. Knowing how good the Pixel 2’s camera is, we can’t really argue here.
While it’s not immediately evident from the specs sheet, Google also updated the Pixel visual co-processing chip known as Visual Core for the Pixel 3 and Pixel 3 XL. The updated Visual Core chip update is what powers some of the powerful and processing-heavy new photo features.
With the Pixel 3, Google introduces Top Shot. With Top Shot, the Pixel 3 compares a burst set of images taken in rapid succession and automatically detects the best shot using machine learning. The idea is that the camera can screen out any photos in which a subject might have their eyes closed or be making a weird face unintentionally, choosing “smiles instead of sneezes” and offering the user the best of the batch. Stuff like this is usually gimmicky, but given Google’s image processing prowess it’s honestly probably going to be pretty good. Or as TechCrunch’s Matt Burns puts it, “Top Shots is Live Photo but useful,” which seems like a fair assessment.
Capture smiles, not blinks. With Top Shot, Pixel 3’s camera is smart enough to know a good photo when it sees it. #madebygoogle pic.twitter.com/WeVI1yojDZ
— Google (@Google) October 9, 2018
Google’s next Pixel 3 camera trick is called Super Res Zoom, which is what it sounds like. Super Res Zoom enables the camera to take a burst of photos and then leverages the fact that each image is very slightly different due to minute hand movements, combining those images together to recreate detail “without grain” — or so Google claims. Because smartphone cameras are limited due to their lack of optical zoom, Super Res Zoom employs burst shooting and a merging algorithm to compensate for detail at a distance, merging slightly different photos into one higher resolution photo. Because digital zoom is notoriously universally bad, we’re looking forward to putting this new method to the test. After all, if it worked for imaging the surface of Mars, it’s bound to work for concert photos.
A machine learning camera hack designed to inspire people to retire flash once and for all (please), Night Sight can visualize a photo taken in “extreme low light.” The idea is that machine learning can make educated guesses about the content in the frame, filling in detail and color correcting so it isn’t just one big noisy mess. If it works remains to be seen, but given the Pixel 2’s already stunning low-light performance we’d bet this is probably pretty cool.
Google knows what the people really want. One of the biggest hardware changes to the Pixel 3 line is the introduction of dual front-facing cameras that enable super-wide front-facing shots capable of capturing group photos. The wide-angle front-facing shots feature a 97 degree field of view compared to the normal already fairly wide 75 degree field of view. Yes, Google is trying to make “Groupies” a thing — yes, that’s a selfie where you all cram in and hand the phone to the friend with the longest arms. Honestly, it might succeed.
So long, selfie sticks. There’s more in the shot with Pixel 3 and Group Selfie—more friends, more details, more scenery. You get the picture. #madebygoogle pic.twitter.com/8FGBjIStsv
— Google (@Google) October 9, 2018
Google has a few more handy tricks up its sleeve. In Photobooth mode, the Pixel 3 can snap the selfie shutter when you smile, no hands needed. With a new kind of motion-tracking auto-focus option you can tap once to track the subject of a photo without needing to tap to refocus, a feature sure to be handy for the kind of people that fill up their storage with hundreds of out-of-focus pet shots.
Google Lens is also back, of course, but honestly its utility is usually left forgotten in the camera settings. And Google’s AR stickers are now called Playground and respond to actions and facial expressions. Google is also launching a Childish Gambino AR experience on Playground (probably as good as this whole AR sticker thing gets, tbh), which will launch with the Pixel 3 and come to the Pixel 1 and Pixel 2 a bit later on.
With the Pixel 3, Google will also improve upon the Pixel 2’s already excellent Portrait Mode, offering the ability to change the depth of field and the subject. And, of course, the company will still offer free unlimited full resolution photo storage in the wonderfully useful Google Photos, which remains superior to every aspect of photo processing and storage on the iPhone.
Many of the features that Google announced today for the Pixel 3 rely on its new Visual Core chip and dual front cameras, but older Pixels will also be able to use Night Sight. Google clarified to TechCrunch that Photobooth, Top Shot, Super Res Zoom, Group Selfie Cam and Motion Auto focus are exclusive to the Pixel 3 and Pixel 3 XL due to a dependence on hardware updates.
With its Pixel line, now three generations deep, Google has leaned heavily on software-powered tricks and machine learning to make a smartphone camera far better than it should be. Given Google’s image processing chops, that’s a great thing, and most of its experimental software workarounds generally work very well. We’re looking forward to taking its latest set of photography tricks for a spin, so keep an eye out for our upcoming Pixel 3 hands-on posts and reviews.
Powered by WPeMatico
Google Lens, the technology that combines the smartphone camera’s ability to see the world around you with A.I. technology, is coming to the Pixel 3 camera, Google announced this morning. That means you’ll be able to point your phone’s camera at something – like a movie poster to get local theater listings, or even look up at actor’s bio, or to translate a sign in another language – and see results right in the camera app itself.
The integration is thanks to Google’s investment in A.I. technologies, something that was the underlying tie to everything Google announced today at its hardware event.
Lens, in particular, was first shown off at Google I/O back in 2017, before rolling out to new products like Google Image Search just weeks ago.
The feature has also been inside the camera apps of older Pixel devices as well as those from other manufacturers, including LG, Motorola, Xiaomi, Sony Mobile, HMD/Nokia, Transsion, TCL, OnePlus, BQ, and Asus. But Google touted Lens today as one of the new Pixel 3 camera’s big features.
With Lens, you can point your camera at a takeout menu, Google says, and it will highlight the number to call.
Another feature is centered around shopping. With a long press, you can have Lens identify a product the camera sees in the viewfinder, and have it match it to real products. This is called “Style Search,” Google says.
This time we built Google Lens right into the Pixel 3 camera. Point it at a takeout menu and Lens can pull up the number to call. Or with a long press, find out where you can buy those sunglasses that would look so good on you. #madebygoogle pic.twitter.com/yQZBSFCDXS
— Made by Google (@madebygoogle) October 9, 2018
As Google explained at the event, you can point your Pixel 3 camera at a friend’s cool new pair of sunglasses or some shoes you like in a magazine, and Lens will point you to where you can find them online and browse similar styles. The feature is similar to Pinterest’s visual search, which has been available for some time.
Style Search has been available in Lens as of earlier this year.
Also of note, Lens will be able to take some of its more common actions instantly in the camera, without the need for a data connection.
Google says this is possible by combining Pixel’s visual core with its years of work in search and computer vision.
“Being able to search the world around you is the next logical step and organizing the world’s information and making it more useful for people,” said Brian Rakowski, VP Product Management at Google.
Powered by WPeMatico
As part of this morning’s official unveiling of the Pixel 3, Google also announced its larger sibling, the Pixel 3 XL.
The news wasn’t a surprise, given the photos that leaked months ago (something that Google itself acknowledged by kicking off the event with a little montage of videos responding to early details). And Engadget’s Richard Lai had already gotten his hands on the phone in Hong Kong.
But what hadn’t actual come out were the details from the company itself. As the name implies, a bigger version of the Pixel 3 (which has a 5.5 inch screen), with a 6.30inch screen. Google’s Liza Ma said the company was working to create an “edge-to-edge viewing experience” with a better screen-to-body ratio than previous screens.
One of the big selling points emphasized in Google’s presentation is the camera, including the Top Shot capability, which captures a number of alternate images when you take a photo, so you’re less likely to be cursing your timing if it isn’t just right. Naturally, all of that will be included in the Pixel 3 XL as well, along with other new features like call screening.
Pricing for the Pixel 3 XL starts at $899 and will arrive in the United States on October 18.
Powered by WPeMatico
Google today announced that its Pixel phones will soon get support for Smart Compose in Gmail. Smart Compose automatically finishes your sentences for you as you type, based on what Google knows about how you and others write similar sentences. Smart Compose can also auto-complete addresses for you.
Google first launched this feature with its redesigned Gmail for the web, but it’s now bringing this to mobile, too. On mobile, of course, a feature like this is even more interesting since typing on mobile is obviously harder. Google says that on the web, Smart Compose is already saving people a billion characters of typing per week.
It’s interesting that Google is launching this feature first on its Pixel phones. Maybe that’s because those phones also feature Google’s own AI chip.
In my own experience, Smart Compose is great when it works. Too often, it still doesn’t, but the good thing is that you can always ignore it and go your merry way without Smart Compose’s suggestions getting in your way.
Google did not say when this feature would launch, but chances are it’ll go live in the next few days or weeks.
Powered by WPeMatico
Women-focused co-working space The Wing has made its way to California, opening its first of two planned locations in the state this morning.
On Sansome Street in San Francisco’s Financial District, The Wing hopes to attract professional women able to shell out $215 per month for access to its 8,000-square-foot workspace, which is complete with conference rooms, a cafe, a library stocked with books on feminist theory, a lactation room and more.
In addition to its chic decor and feminist messaging, The Wing is also known for its programming. Headquartered in New York City, where the company operates three of its four existing spaces, The Wing has hosted events with former Secretary of State Hillary Clinton, actress Jennifer Lawrence and New York Senator Kirsten Gillibrand, to name a few. The San Francisco location will be no different.
A spokesperson for The Wing tells me they have a fully booked calendar of politics, tech, entertainment and lifestyle-focused events prepped for members. In the first month, San Francisco Mayor London Breed will stop by, as will Democratic House Minority Leader Nancy Pelosi and Oakland Mayor Libby Schaaf.
As a brand founded by women — Audrey Gelman and Lauren Kassan — and inspired by the women’s club movement of the 19th century, The Wing and its majority female staff very carefully and skillfully practice what they preach. In building their spaces, for example, they hire female architects to design and perfect the location. Their conference rooms are named for notable women. One, in particular, named for Dr. Christine Blasey Ford, stands out.
The dozens of art pieces scattered throughout The Wing are by female artists. The menu at The Wing’s cafe, which has a sign above it that reads “I’ll have what she’s having,” showcases women of the Bay Area’s food and beverage industries. Even the wines served at The Wing are made by female wine makers in California.
If there’s on thing about The Wing that stands out, it’s the startup’s attention to detail.
Founded in 2016, The Wing plans to open its next location, in West Hollywood, in early 2019.
The Wing is backed by venture capital firms NEA, Kleiner Perkins and BBG Ventures, as well as co-working unicorn WeWork. It has raised just over $40 million to date to expand its co-working spaces throughout the U.S. and beyond.
“The Wing answers a desire by women to connect with each other in an environment that aims to promote learning and camaraderie,” Forerunner Ventures’ Kirsten Green told TechCrunch. “It’s both a timely and timeless need. With so much focus on entrepreneurship and start-ups here in the Bay Area, The Wing offers the community that many independent women are looking for and can benefit from.”
Powered by WPeMatico
Just a day after Google decided to drop out of the Pentagon’s massive $10 billion, 10-year JEDI cloud contract bidding, Microsoft announced increased support services for government clients. In a long blog post, the company laid out its government focused cloud services.
While today’s announcement is not directly related to JEDI per se, the timing is interesting just three days ahead of the October 12th deadline for submitting RFPs. Today’s announcement is about showing just how comprehensive the company’s government-specific cloud services are.
In a blog post, Microsoft corporate vice president for Azure, Julia White made it clear the company was focusing hard on the government business. “In the past six months we have added over 40 services and features to Azure Government, as well as publishing a new roadmap for the Azure Government regions providing ongoing transparency into our upcoming releases,” she wrote.
“Moving forward, we are simplifying our approach to regulatory compliance for federal agencies, so that our government customers can gain access to innovation more rapidly. In addition, we are adding new options for buying and onboarding cloud services to make it easier to move to the cloud. Finally, we are bringing an array of new hybrid and edge capabilities to government to ensure that government customers have full access to the technology of the intelligent edge and intelligent cloud era,” White added.
While much of the post was around the value proposition of Azure in general such as security, identity, artificial intelligence and edge data processing services, there were a slew of items aimed specifically at the government clients.
For starters, the company is increasing its FedRAMP compliance, a series of regulations designed to ensure vendors deliver cloud services securely to federal government customers. Specifically Microsoft is moving from FedRAMP moderate to high ratings on 50 services.
“By taking the broadest regulatory compliance approach in the industry, we’re making commercial innovation more accessible and easier for government to adopt,” White wrote.
In addition, Microsoft announced it’s expanding Azure Secret Regions, a solution designed specifically for dealing with highly classified information in the cloud. This one appears to take direct aim at JEDI. “We are making major progress in delivering this cloud designed to meet the regulatory and compliance requirements of the Department of Defense and the Intelligence Community. Today, we are announcing these newest regions will be available by the end of the first quarter of 2019. In addition, to meet the growing demand and requirements of the U.S. Government, we are confirming our intent to deliver Azure Government services to meet the highest classification requirements, with capabilities for handling Top Secret U.S. classified data,” White wrote.
The company’s announcements, which included many other pieces that have been previously announced, is clearly designed to show off its government chops at a time where a major government contract is up for grabs. The company announced Azure Stack for Government in August, another piece mentioned in this blog post.
Powered by WPeMatico
Netlify wants to revolutionize the way developers build websites, abstracting away the web server and breaking web sites into microservices, making the process more like building a mobile application than a traditional website. Today, the company announced a $30M Series B investment to help continue to build on that vision.
Kleiner Perkins led the round. Andreessen Horowitz and the founders of Slack (Stewart Butterfield), Yelp (Jeremy Stoppelman) and Figma (Dylan Field) all participated. Today’s investment brings the total raised to over $44 million, according to Crunchbase data.
Chris Bach, co-founder and president and Matt Biilmann, co-founder and CEO see the change they are trying to make as part of the larger shift to an API economy. They want to take the same ease of development APIs have given programmers in a mobile context and bring that to web development.
As I wrote earlier this year when they announced support for AWS Lambda, they want to reduce the complexity around web development:
“Netlify has abstracted away the concept of a web server, which it says is slow to deploy and hard to secure and scale. By shifting from a monolithic website to a static front end with back-end microservices, it believes it can solve security and scaling issues and deliver the site much faster.”
The founders have a grand vision, “We are basically out to replace all web servers with a with a global application delivery network,” Bach explained.
Mamoon Hamid, general partner at investor Kleiner Perkins says that while the website backend has evolved over recent years, the front end has remained static, and that’s what Netlify is addressing with their microservices-based approach to web development. “Netlify smack dab hits our view of where we need to go for the web to flourish,” Hamid told TechCrunch.
He believes the last shift of this magnitude in web development at the presentation layer was the advent of the CMS 15 years ago, and we are starting to see developers attracted to the Netlify approach in a big way. “We really believe that with this 300,000 strong developer force that’s already behind Netlify that they’re showing early signs of tapping into what could be the platform from which a significant portion of the web content is served from [in the future],” Hamid said.
Netlify is working to increase the number of websites running on their approach in the coming years and see this as a mission to change the web. “For us, it’s very important to keep being a place where developers want to go and very easily can get something up and running. And then you can scale from there,” Bach said.
The company wants to build out a more organized sales and marketing team to sell the Netlify approach to larger organizations, while continuing to build out the product and developer outreach. All of this takes money and that’s why they went for such a large round today.
Powered by WPeMatico
“I’ve always believed the web is for everyone,” wrote Tim Berners-Lee, the well-known (and knighted) creator of the World Wide Web.
“The web has evolved into an engine of inequity and division; swayed by powerful forces who use it for their own agendas,” he added. “Today, I believe we’ve reached a critical tipping point, and that powerful change for the better is possible — and necessary.”
Late last month, he published the above in a blog post announcing inrupt, a startup that would finally execute on his vision for the information superhighway he built nearly 30 years ago. Backed with an undisclosed amount of funding from Glasswing Ventures, the startup is emerging from stealth today with a plan to decentralize the web and restore power to the people rather than the companies that have exploited user trust for their own financial gains.
The timing couldn’t be better. The last year has been plagued with scandals, from Cambridge Analytica, a data analysis firm that used Facebook data to target voters for President Donald Trump’s presidential campaign, to most recently a data-exposing hack on Google+ that relinquished the private information of hundreds of thousands of unsuspecting users.
Internet privacy and security are hot-button issues, to say the least. Users are rapidly losing trust in the companies that became institutions in the digital age — and they’re demanding solutions.
The race to restore control of data and the web at large has begun; inrupt is looking to the finish line.
Berners-Lee is a British engineer and professor of computer science who famously gave away the web, which allows anyone with a computer to access the internet, for free.
For the past few years, he’s been quietly working on a project called Solid with a small team at the Massachusetts Institute of Technology. Solid is an open-source project built on the existing web meant to give people control over their own data. Using Solid, users can keep their data wherever they choose, rather than being forced to store it on centralized servers.
The world we’ve created on the web [is] not the right one. — John Bruce, co-founder of inrupt.
Despite its populist ambitions, Solid had failed to garner the momentum necessary to truly disrupt the web.
Berners-Lee realized Solid needed commercial backing, a real business behind it to earn the interests of open-source developers who have to build decentralized apps on the Solid platform for it to be useful.
Thus, inrupt was born. Berners-Lee tapped John Bruce, a fellow British engineer and serial entrepreneur, to lead the company as its chief executive officer. Most recently, Bruce co-founded Resilient, an incident response platform later acquired by IBM. Before that, he was the chairman and CEO of Quickcomm and the vice president of Symantec.
Bruce resigned from IBM in April to focus on inrupt full time.
“The world we’ve created on the web [is] not the right one,” Bruce told TechCrunch. “Maybe, just maybe, we can put it in the place it was originally intended to be.”
“Inrupt’s mission, at this point, is to bring resources, process and skills to galvanize the open-source effort that Tim was leading out of MIT to help [Solid] become, truly, a force to be reckoned with,” he added. “We are at the stage of the new web that Tim was at when he first started the World Wide Web.”
Bruce says that since Berners-Lee announced inrupt in late September, open-source developers have poured into the Solid platform in droves.
Now, the pair are gearing up to raise another round of funding, hire, expand the Solid platform and work on a digital assistant tool called Charlie, which the company describes as a “decentralized version of Alexa.”
For Berners-Lee, inrupt is Act II of a much larger story. For Bruce, it’s the opportunity to work with a legend.
“This is a man that understands the web truly better than anyone else on the planet,” Bruce said. “And the wheels of innovation have really just started to turn.”
Powered by WPeMatico
Microsoft’s Powerpoint today has over 1 billion installs, 500 million users, and some 95 percent market share, making it the most ubiquitous presentation software in the world. But that doesn’t make it the most loved. Now, a new startup out of Berlin called Pitch is emerging from stealth with plans to challenge it, by making what CEO and co-founder Christian Reber describes as “a presentation tool for the Slack generation.”
And to do so, the company is announcing $19 million in Series A funding, ahead of a projected launch date of summer 2019.
The Slack reference is intentional, and not just because of how the product will be built (more on that below). Part of the funding is coming from the Slack Fund, the arm of the work-chat unicorn that makes strategic investments into like-minded startups.
Others in the round include Index Ventures and BlueYard as leads, along with Zoom CEO Eric Yuan, Framer CEO Koen Bok, Elastic Co-Founder Simon Willnauer, Datadog CEO Olivier Pomel, Wunderlist-backer Frank Thelen, and Metalab Founder Andrew Wilkinson. Blue Yard led Pitch’s seed funding as well: the company has raised $22 million to date.
“Pitch is one of Europe’s few true product-centric companies breaking new ground in software for businesses,” said Neil Rimer, partner at Index Ventures, in a statement. “From messaging to file sharing, software companies like Slack and Dropbox have transformed how teams work together and unlocked greater productivity as a result. We believe Pitch has the potential to redefine the presentation space and become a central hub for content collaboration, knowledge-sharing, and ultimately a platform for better decision-making.” Rimer’s also joining the board.
If $22 million sounds like a lot of money for a product that hasn’t launched, in a field that already has a very dominant player, Pitch is not your average contender. It’s being built by the same founders who created Wunderlist, a popular to-do app that — coincidentally — Microsoft acquired to supercharge its existing list-making and to-do software. You could say that Pitch knows just what it is pitching, when it goes after a problem that already appears to be “solved.”
In an interview, Reber said that he and the team — which includes founders Vanessa Stock; Marvin Labod; Adam Renklint; Charlette Prevot; Jan Martin; Eric Labod; and Misha Karpenko and 12 others — have been at work on the app for about nine months already and that it is in private beta with a few businesses.
As for the app itself, Reber would not show it off to me, but he did provide some detail about what it’s setting out to do.
The premise behind Pitch is to make “a presentation tool for the Slack generation,” he said, in reference to the workplace communications tool that became a runaway hit with organizations because of its ease of use, its speed, and the fact that it positions itself as a platform, integrating with just about any app that a person might use in the normal course of a working day, turning itself into a communication layer underpinning all those apps, too.
The same will go for Pitch. “Pitch integrates with everything you already use,” Reber said, describing Pitch presentations as “living documents” that will essentially update with information as data in other documents gets modified.
There will also be a social element, a la SlideShare, the cloud-based presentation app that was acquired by LinkedIn many years ago but has seen few updates since, and of course now is part of Microsoft too.
In the case of Pitch, users will be able to create documents for their own ends, but they can also use Pitch as a distribution platform, either to a selected group of users (for example, if you are pitching your startup to investors), or to a wider audience who are also Pitch users.
It’s ironic that Reber, who joined Microsoft along with the rest of the Wunderlist team when the startup was acquired, left the mothership rather than potentially trying to either build another presentation tool within Microsoft, or moving to PowerPoint to work on updating that product.
The reasons, I suspect, are the same ones that keep large tech giants from being able to move quickly on ideas, and to often live with bad ones for too long: leviathans are too big and too entrenched, and their halls are rife with politics.
Reber — who jokes that he seems to have a knack for trying to build things “that others have already built” — said that another reason is that he also has a little regret for selling Wunderlist when they did.
“I didn’t feel like I’d accomplished my goal,” he said reflecting on the sale. (For the reasons why he sold anyway, you might speak to a lot of other founders who have exited, and I’d guess that the multiple reasons are often the same.) “So, a year after the exit I thought I would like a chance to start from scratch and be more strategic in how I built my startup.”
The choice to tackle presentations came, as many startup ideas often do, out of his own frustrations — and possibly yours, too, if you have been PowerPointed at some moment in your life.
The most popular presentation tools that exist today are just outdated, he said, with different versions out in the wild, across different platforms, making for a challenge in sharing presentations with others. Reber describes the Pitch-nee-Wunderlist team as “design driven,” so you can imagine how that kind of lack of aesthetic consistency might grate.
He noted that Pitch is built on Electron — the application framework that’s used for WhatsApp, WordPress and many other apps — to smooth out some of those bumps across platforms.
Pitch is most certainly going into business with its eyes open, knowing that even if you put Microsoft’s PowerPoint and SlideShare to the side, there are yet others, such as Keynote from Apple, the web-based Prezi, and Slides from Google. But there are plenty of precedents that nevertheless indicate opportunity.
“It’s really fascinating for me why new products win,” Reber said. “Just look at the business communications space. The market was saturated, and Hipchat dominated the startup world, but then all of the sudden Slack came and everything change. It just took over. There will be a similar shift, I think.”
Besides, he added, having multiple competitors is a good thing. “It just means that the best product will come out the winner.” Let’s hope so.
Powered by WPeMatico
SoundCloud moves painfully slow for a tech company, and no one feels that pain more than musicians who are popular on the site but don’t get paid. 10 years since SoundCloud first launched, and four years since it opened an invite-only program allowing just the very biggest artists to earn a cut of the ad and premium subscription revenue generated by their listeners, SoundCloud is rolling out monetization.
Now, musicians 18 and up who pay SoundCloud $8 to $16 per month for hosting, get over 5000 streams per month, and only publish original music with no copyright strikes against them can join the SoundCloud Premier program. They’ll get paid a revenue share directly each month that SoundCloud claims “meets or beats any other streaming service”. However, the company failed to respond to TechCrunch’s inquiries about how much artists would earn per 1000 ad-supported or premium subscription listener streams, or how many streams would earn them a dollar.
Beyond payouts, Premier members can post new tracks instantly without having to wait to be discoverable or monetizable, they’ll get real-time feedback from fans, and extra discovery opportunities from SoundCloud. The company hopes monetization will lure more creators to join the 20 million on the platform, get them to promote their presence to drive listens, and imbue the site with exclusive artist-uploaded content that attracts listeners.
It’s been a year since SoundCloud raised an $170 million emergency funding round to save itself from going under after it was forced to lay off 40 percent of its staff. That deal arranged by Kerry Trainor saw him become CEO and the previous co-founder and CEO Alex Ljung step aside. With underground rap that had percolated on SoundCloud for years suddenly reaching the mainstream, the startup seemed to have momentum.
The problem is the slow speed of progress at SoundCloud has allowed competitors with monetization baked in to catch up to its formerly unique offering. YouTube Music’s launch in June 2018 combined premium major label catalogues with user uploaded tracks in a cohesive streaming service. And last month, Spotify began allowing indie artists to upload their music directly to the platform. Meanwhile, licensing distribution services like Dubset are making it legal for big streaming apps to host remixes and DJ sets. Together, these make more of the rarities, live versions, and hour-long club gigs that used to only be on SoundCloud available elsewhere.
The delays seem in part related to the fact that SoundCloud wants to be Spotify as well as SoundCloud. It’s refused to back down from its late entry into the premium streaming market with its $9.99 per month SoundCloud Go+ subscription. As I previously recommended, “to fix SoundCloud, it must become the anti-Spotify” by ruthlessly focusing on its differentiated offering in artist-uploaded music. Instead, another year has passed with only a light revamping of SoundCloud’s homescreen and some more personalized playlists to show for it.
SoundCloud proudly announced it had reached $100 million in revenue in 2017, and exceeded its financial and user growth targets. But filings reveal it lost over $90 million in 2016 and it was previously projected to not become profitable until 2020. That begs the question of whether SoundCloud will have to raise again, or might once again open itself to acquisitions. With Apple, Google, Amazon, and Spotify all in fierce competition for the future of streaming, any of them might be willing to pay up for music that fans can’t easily find elsewhere.
Powered by WPeMatico